USD- AED
USD
AED
The Blackmagic URSA Broadcast G2 is a powerful camera designed for both traditional and online broadcasting.With its 3-in-1 design, it can function as a 4K production camera, a 4K studio camera, or a 6K digital film camera — giving you unmatched versatility in a single body.You can record directly to SD cards, UHS-II cards, CFast 2.0 cards, or external USB disks, using industry-standard formats including H.265, ProRes, and Blackmagic RAW. And with its interchangeable lens mount, you can adapt the camera to virtually any production.No other broadcast camera offers this level of flexibility.Blackmagic URSA Broadcast G2 — one camera, built for every broadcast.
4,615.00 USD
| effective-sensor-size | 2/3 inch with 4K B4 mount (actual 23.10mm x 12.99mm) |
|---|---|
| lens-mount | B4 2/3 inch installed; Active EF mount also included |
| lens-control | Electronic via 12-pin broadcast connector; via EF mount pins with compatible EF lenses |
| lens-correction | In-camera color fringing correction with compatible broadcast lenses |
| dynamic-range | 13 Stops |
| dual-native-iso | 0dB and 18dB gain |
| sensitivity-at-0db-gain | f11 with 2160p59.94; f12 with 2160p50 at 2000 lux, 89.9% reflectance; 1.1 stop light loss using 4K B4 mount |
| signal-to-noise-ratio | 64.62dB for 2160p (Ultra HD scaled from 5.3K) |
| built-in-nd-filters | Clear, 2 stop, 4 stop, 6 stop ND filters |
| focus | Auto focus with compatible lenses; LCD touch-hold focus region |
| iris-control | Iris wheel & touchscreen slider; auto iris button; scene average auto exposure |
| screen-dimensions | 4 inch |
| screen-type | LCD capacitive touchscreen |
| controls | Touchscreen menus; push buttons; 3 assignable keys; 2 assignable VTR/RET on broadcast lenses |
| prores-resolutions-frame-rates | UHD up to 60 fps (windowed/scaled 5.3K); UHD up to 50 fps (full sensor); 1080p up to 120 fps (2.7K window); 1080p up to 60 fps (UHD/5.3K window); 1080p up to 50 fps (full sensor) |
| h-265-resolutions-frame-rates | UHD up to 60 fps (windowed/scaled 5.3K); UHD up to 50 fps (full sensor) |
| h-264-resolutions-frame-rates | 1080p up to 60 fps (UHD/5.3K window); 1080p up to 50 fps (full sensor) |
| blackmagic-raw-resolutions-frame-rates | 6K up to 50 fps; 6K 2.4:1 up to 60 fps; 5.3K 16:9 up to 60 fps; 3.7K anamorphic up to 60 fps; UHD up to 60 fps; HD up to 150 fps |
| project-frame-rates | 23.98–60 fps; Off-speed up to 60p (UHD), 150p (HD) |
| metadata-support | Auto lens data from B4 lenses; camera/slate data auto-recording |
| timecode-clock | Less than 1 frame drift per 8 hours |
| sdi-video-inputs | 1 |
| sdi-video-outputs | 1 |
| sdi-monitor-outputs | 1 |
| sdi-rates | 1.5G, 3G, 6G, 12G |
| analog-audio-inputs | 2 x XLR switchable mic/line/AES; phantom power |
| analog-audio-outputs | 1 x 3.5mm headphone jack with talkback support |
| reference-inputs | Tri-Sync/Black Burst/Timecode |
| lens-control-port | 1 x 12-pin Hirose Broadcast connector |
| remote-control | 1 x 2.5mm LANC input; Iris/Focus control on compatible lenses |
| computer-interface | 1 x USB-C 3.1 Gen 2 (power delivery, external drives, Focus/Zoom Demand); 1 x USB-C (software updates) |
| microphone | Integrated stereo microphone |
| built-in-speaker | 1 x mono |
| direct-streaming | SRT & RTMP H.264 over USB-C (phone or Ethernet adapter) |
| streaming-platforms | YouTube (SRT Beta), ATEM Streaming Bridge, ATEM Studio HD8 ISO, Facebook, Twitch, Twitter, Restream, Vimeo, BoxCast, Castr, Afreeca TV, Bilibili, DouYu, Weibo |
| hd-video-standards | 1080p23.98–60; 1080i50, 59.94, 60 |
| ultra-hd-video-standards | 2160p23.98–60 |
| sdi-compliance | SMPTE 292M, 424M, 425M A/B, 2081-1/10, 2082-1/10 |
| sdi-audio-sampling | 48 kHz, 24-bit |
| media | 2 x CFast 2.0, 2 x SD UHS-II, 1 x USB-C 3.1 Gen 2 (PD) |
| media-format | ExFAT (Win/Mac) or HFS+ (Mac) |
| media-page | Browse, sort, search, preview, upload/delete, batch ops |
| supported-codecs | ProRes 422 HQ/422; H.265 (10-bit 4:2:2/4:2:0); H.264 (8-bit/10-bit variants); Blackmagic RAW (CBR/Q) |
| external-control | Lens control via Focus/Zoom Demand; Blackmagic SDI Protocol; iPad Bluetooth; 2.5mm LANC |
| color-corrector | DaVinci YRGB |
| talkback | SDI Channels 15/16; iPhone headset |
| live-tally-indicator | LCD tally; URSA VF & Studio VF tally |
| storage-type | CFast 2.0, SD UHS-II, USB-C, optional URSA Mini Recorder (SSD) |
| recording-formats | ProRes UHD/HD; H.265 UHD; H.264 HD; Blackmagic RAW Q/CBR at 6K/5.3K/3.7K/UHD/HD |
| storage-rates | Detailed MB/s per codec & resolution (ProRes, H.265, H.264, BRAW) |
| software-included | Blackmagic OS, DaVinci Resolve Studio (activation key), Camera Setup, RAW Player, QuickLook Plugin, RAW SDK, RAW Speed Test |
| cloud | Blackmagic Cloud: automatic/manual sharing; proxies/originals upload to Resolve 18.6+ |
| power-supply | 12V DC 100W w/ IEC C14 AC 100–240V input |
| external-power-input | 1 x 4-pin XLR; 1 x 12-pin Molex under battery plate |
| power-outputs | +12V 4-pin XLR regulated; +12V D-Tap VLock plate |
| power | Rear V-mount or gold mount plate |
| optional-accessories | URSA Viewfinder, Studio VF, Camera Fiber Converter, Studio Fiber Converter, URSA Mini Pro mounts (PL/F), Mic Mount, Recorder, Gold Battery Plate |
| operating-temperature | 0–40°C (32–104°F) |
| storage-temperature | -20–45°C (-4–113°F) |
| relative-humidity | 0%–90% non-condensing |
| whats-included | URSA Broadcast G2; 4K B4 mount; EF Mount; VLock Battery Plate; 100W PSU; Mini Shoulder Pad; Top Handle; VF Plate; screws; Welcome wallet; Resolve Studio wallet & key |
