USD- AED
USD
AED
Blackmagic URSA Cine 17K 65 Body — the freedom to build your perfect cinema rig. The Blackmagic URSA Cine 17K 65 represents a revolution in digital film, featuring an enormous 17,520 x 8,040 65mm RGBW sensor with larger photosites that deliver 16 stops of dynamic range for breathtaking detail and depth. The URSA Cine 17K 65 Body model is designed for filmmakers who already own professional camera accessories and want the freedom to build a custom rig. It excludes the top handle, baseplate, power supply, battery plate, and LPL lens mount — giving you complete creative flexibility. It includes an interchangeable PL lens mount, a dedicated assist station with a second 5" HDR touchscreen, and industry-standard Lemo and Fischer connections for seamless on-set integration. With a built-in 8TB high-performance media module, 10G Ethernet, and Wi-Fi connectivity, you can upload footage and sync projects instantly via Blackmagic Cloud. Pure power. Total flexibility. True cinematic freedom.
24,195.00 USD
| camera-features | — |
|---|---|
| effective-sensor-size | 50.81 mm x 23.32 mm (65mm Format) |
| pixel-pitch | 2.9 microns |
| lens-mount | PL mount. Interchangeable with optional URSA Cine Mounts, LPL, EF and HC. |
| lens-control | Lens data from compatible PL or LPL lenses and control of some PL lenses. Lens control of compatible EF lenses. |
| dynamic-range | 16 Stops |
| shooting-formats | 17,520 x 8040 (17K 2.2:1 open gate); 16,128 x 8040 (17K 2:1); 15,360 x 8040 (17K 17:9); 14,304 x 8040 (17K 16:9); 17,520 x 7296 (17K 2.4:1); 12,288 x 8040 (12K 3:2); 12,288 x 6912 (12K 16:9); 12,288 x 6480 (12K 17:9); 12,288 x 5112 (12K 2.4:1); 9648 x 8040 (12K 6:5); 11,680 x 5360 (8K 2.2:1 open gate); 10,752 x 5360 (8K 2:1 full height); 8192 x 5360 (8K 3:2); 8192 x 4608 (8K 16:9); 8192 x 4320 (8K 17:9); 8192 x 3408 (8K 2.4:1); 5840 x 2680 (4K 2.2:1 open gate); 5376 x 2680 (4K 2:1 full height); 4096 x 2680 (4K 3:2); 4096 x 2304 (4K 16:9); 4096 x 2160 (4K 17:9); 4096 x 1704 (4K 2.4:1) |
| frame-rates | 23.98, 24, 25, 29.97, 30, 50, 59.94, 60 fps (max depends on resolution) |
| high-speed-frame-rates | 17K 2.2:1 up to 60 fps; 12K 2.4:1 up to 90 fps; 8K 2.2:1 up to 100 fps; 8K 2.4:1 up to 170 fps |
| built-in-nd-filters | None |
| focus | Peaking button; AF with compatible lenses |
| iris-control | Wheel & touchscreen; auto iris (film), scene average AE (video) |
| screens | 2 x Monitoring Screens; 1 x Camera Status Screen |
| monitoring-screen-dimensions | 5 inch |
| monitoring-screen-resolution | 1920 x 1080 |
| monitoring-screen-brightness | 1500 nits |
| monitoring-screen-type | LCD capacitive touchscreen |
| metadata-support | Auto lens data (i/Technology) with PL/LPL; EF/HC when using mounts; records project/scene/take/notes |
| controls | Touchscreen menus; push buttons; 7 assignable keys; 6 EVF shortcut keys (optional EVF) |
| timecode-clock | Less than 1 frame drift every 8 hours |
| connections | — |
| total-video-outputs | 2 |
| sdi-rates | 1.5G, 3G, 6G, 12G |
| analog-audio-inputs | 2 x XLR (mic/line/AES), phantom power |
| analog-audio-outputs | 1 x 3.5mm headphone jack |
| reference-inputs | Tri-Sync/Black Burst and Timecode |
| viewfinder | 1 x USB‑C EVF port (video/power/control; locking). URSA Cine EVF & PYXIS Monitor supported |
| usb-c-monitor-outputs | 2 x USB‑C side monitor ports (URSA Cine EVF / PYXIS / DisplayPort monitors) |
| accessories-i-o | 7‑pin Lemo ‘EXT’ (power out, serial, run/stop); 3‑pin Fischer ‘RS’ (power out, run/stop) |
| computer-interface | 2 x USB‑C side expansion; updates via rear‑side USB‑C |
| ethernet | 1 x 10Gb/s RJ‑45 (10/100/1000/10G BASE‑T) for SMB, Web Media Manager, Cloud uploads, control, streaming |
| audio | — |
| microphone | Integrated stereo microphone |
| built-in-speaker | 1 x mono speaker |
| standards | — |
| sd-video-standards | None |
| hd-video-standards | 1080p23.98/24/25/29.97/30/50/59.94/60; 1080i50/59.94/60 |
| ultra-hd-video-standards | 2160p23.98/24/25/29.97/30/50/59.94/60 |
| sdi-compliance | SMPTE 292M, SMPTE 424 Level B, SMPTE 2081‑1, SMPTE 2082‑1 |
| sdi-audio-sampling | 48 kHz / 24‑bit |
| media | — |
| media-slots | 1 x Blackmagic Media Module |
| media-format | Blackmagic |
| supported-codecs | BRAW CBR 3:1/5:1/8:1/12:1/18:1; BRAW CQ Q0/Q1/Q3/Q5; H.264 Proxy 1920×1080 8‑bit 4:2:0 |
| control | — |
| external-control | URSA Cine EVF controls; REST API over Ethernet/WiFi/serial; Run/Stop via 3‑pin Fischer & 7‑pin Lemo; iPad & Bluetooth control; Zoom/Focus Demand supported |
| streaming | SRT/RTMP via Ethernet/WiFi/USB‑C cellular |
| network-management | NTP time sync; FTP file access; Web Media Manager; SMB file sharing |
| storage-type | 1 x Blackmagic Media Module 8TB |
| storage-rates-17k | BRAW 3:1 1700 MB/s; 8:1 638; 12:1 425; 18:1 284; Q0 567‑2040; Q1 464‑1134; Q3 255‑638; Q5 170‑510 MB/s |
| storage-rates-12k | BRAW 3:1 1194 MB/s; 8:1 448; 12:1 299; 18:1 199; Q0 398‑1433; Q1 326‑796; Q3 179‑448; Q5 120‑358 MB/s |
| storage-rates-8k | BRAW 3:1 533 MB/s; 5:1 320; 8:1 200; 12:1 133; Q0 320‑639; Q1 228‑533; Q3 133‑400; Q5 100‑266 MB/s |
| storage-rates-4k | BRAW 3:1 135 MB/s; 4:1 101; 5:1 81; 6:1 68; Q0 202‑336; Q1 135‑311; Q3 101‑238; Q5 81‑202 MB/s |
| recording-formats-17k | [17,520 x 8,040], [16,128 x 8,040], [15,360 x 8,040], [14,304 x 8,040], [17,520 x 7,296] + H.264 1080p proxies |
| recording-formats-12k | [12,288 x 8,040], [12,288 x 6,912], [12,288 x 6,480], [12,288 x 5,112], [9,648 x 8,040] + H.264 1080p proxies |
| recording-formats-8k | [11,680 x 5,360], [10,752 x 5,360], [8,192 x 5,360], [8,192 x 4,608], [8,192 x 4,320], [8,192 x 3,408], [6,432 x 5,360] + H.264 1080p proxies |
| recording-formats-4k | [5,840 x 2,680], [5,376 x 2,680], [4,096 x 2,680], [4,096 x 2,304], [4,096 x 2,160], [4,096 x 1,704], [3,216 x 2,680] + H.264 1080p proxies |
| cq-ratios-17k-12k | Q0 9:1‑2.5:1; Q1 11:1‑4.5:1; Q3 20:1‑8:1; Q5 30:1‑10:1 |
| cq-ratios-8k | Q0 5:1‑2.5:1; Q1 7:1‑3:1; Q3 12:1‑4:1; Q5 16:1‑6:1 |
| cq-ratios-4k | Q0 2:1‑1.2:1; Q1 3:1‑1.3:1; Q3 4:1‑1.7:1; Q5 5:1‑2:1 |
| software-included | URSA Cine Blackmagic OS; DaVinci Resolve Studio; Camera Setup; RAW Player; RAW QuickLook; RAW SDK |
| operating-systems | Mac 14/15; Windows 10/11 |
| power-supply | +24V DC external PSU (100‑240V AC) with IEC C14; Molex for rear battery plate |
| power-input | 1 x 8‑pin Lemo compatible; B‑Mount battery plate |
| power-output | 7‑pin +24V; 3‑pin Fischer +24V; B‑Mount 2‑pin +12V regulated |
| optional-accessories | URSA Cine EVF; PYXIS Monitor; PYXIS kits; URSA Cine Mounts (PL/EF/HC); Shims; Battery Plates (B/Gold/VLock); Baseplates (15/19); Handle; Grips; 5" Sunshade; Media Dock; Media Module 8TB; ATEM Streaming Bridge |
| environmental | Operating 0‑40°C; Storage ‑20‑45°C; RH 0‑90% non‑condensing |
| whats-included | Blackmagic URSA Cine 17K 65 (PL); Media Module 8TB; Caps; WiFi Antennas; PL Body Cap; DaVinci Resolve Studio; Welcome wallet |
