USD- AED
USD
AED
Blackmagic URSA Cine 17K 65 — the future of digital film. The Blackmagic URSA Cine 17K 65 redefines what’s possible in digital cinema. Featuring an enormous 17,520 x 8,040 65mm RGBW sensor with larger photosites for breathtaking image quality and 16 stops of dynamic range, it captures every detail with cinematic depth and realism. This revolutionary design includes interchangeable lens mounts, a dedicated assist station with a second 5-inch HDR touchscreen, and industry-standard Lemo and Fischer connections for full professional integration. With a massive 8TB of removable high-performance media storage, plus 10G Ethernet and Wi-Fi connectivity for fast uploads and Blackmagic Cloud sync, the URSA Cine 17K 65 is built for large-scale, cloud-connected film production. Epic scale. Infinite detail. True cinematic power.
25,295.00 USD
| effective-sensor-size | 50.81 mm x 23.32 mm (65mm Format) |
|---|---|
| pixel-pitch | 2.9 microns |
| lens-mount | PL mount. Interchangeable with URSA Cine Mount LPL included. |
| lens-control | Lens data from compatible PL or LPL lenses and control of some PL lenses. Lens control of compatible EF lenses. |
| dynamic-range | 16 Stops |
| shooting-formats | 17,520 x 8040 (17K 2.2:1 open gate); 16,128 x 8040 (17K 2:1); 15,360 x 8040 (17K 17:9); 14,304 x 8040 (17K 16:9); 17,520 x 7296 (17K 2.4:1); 12,288 x 8040 (12K 3:2); 12,288 x 6912 (12K 16:9); 12,288 x 6480 (12K 17:9); 12,288 x 5112 (12K 2.4:1); 9648 x 8040 (12K 6:5); 11,680 x 5360 (8K 2.2:1 open gate); 10,752 x 5360 (8K 2:1 full height); 8192 x 5360 (8K 3:2); 8192 x 4608 (8K 16:9); 8192 x 4320 (8K 17:9); 8192 x 3408 (8K 2.4:1); 5840 x 2680 (4K 2.2:1 open gate); 5376 x 2680 (4K 2:1 full height); 4096 x 2680 (4K 3:2); 4096 x 2304 (4K 16:9); 4096 x 2160 (4K 17:9); 4096 x 1704 (4K 2.4:1) |
| frame-rates | Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported. Maximum sensor frame rate dependent on resolution selected. |
| high-speed-frame-rates | 17K 2.2:1 open gate up to 60 fps; 12K 2.4:1 up to 90fps; 8K 2.2:1 open gate up to 100 fps; 8K 2.4:1 up to 170 fps |
| built-in-nd-filters | None |
| focus | Focus button turns on peaking, auto focus available using compatible lenses. |
| iris-control | Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video mode. |
| screens | 2 x Monitoring Screens; 1 x Camera Status Screen |
| monitoring-screen-dimensions | 5 inch. |
| monitoring-screen-resolution | 1920px x 1080px |
| monitoring-screen-brightness | 1500 nits. |
| monitoring-screen-type | LCD capacitive touchscreen |
| metadata-support | Automatically populated lens data from i/Technology with compatible PL, LPL lenses and electronic EF and Hasselblad HC lenses when using optional EF lens mount or HC lens mount. Automatic recording of camera settings and slate data such as project, scene number, take and special notes. |
| controls | Touchscreen menus on 5 inch screen. Push buttons for other controls. 7 assignable shortcut keys plus 6 assignable viewfinder shortcut keys on optional URSA Cine EVF. |
| timecode-clock | Highly accurate timecode clock. Less than 1 frame drift every 8 hours. |
| connections-total-video-outputs | 2 |
| connections-sdi-rates | 1.5G, 3G, 6G, 12G. |
| connections-analog-audio-inputs | 2 x XLR analog switchable between mic, line and AES audio. Phantom power support. |
| connections-analog-audio-outputs | 1 x 3.5mm headphone jack |
| connections-reference-inputs | Tri-Sync/Black Burst and Timecode. |
| connections-viewfinder | 1 x Viewfinder USB-C with video, power, camera control data and locking connector. Works with URSA Cine EVF and PYXIS Monitor. |
| connections-usb-c-monitor-outputs | 2 x USB-C side monitor ports support URSA Cine EVF, PYXIS Monitor or DisplayPort monitors. |
| connections-accessories | 1 x 7-pin Lemo ‘EXT’ for power out, serial communication, and run/stop; 1 x 3-pin Fischer ‘RS’ for power out and run/stop. |
| connections-computer-interface | 2 x USB-C side expansion ports for camera accessories. Software updates using side USB-C closer to rear. |
| connections-ethernet | 1 x 10Gb/s RJ‑45 supporting 10/100/1000/10G BASE-T for SMB file sharing, Web Media Management, Blackmagic Cloud uploads, camera control and streaming. |
| audio | Integrated stereo microphone; 1 x mono speaker. |
| standards-hd-video | 1080p23.98, 24, 25, 29.97, 30, 50, 59.94, 60; 1080i50, 59.94, 60 |
| standards-ultra-hd-video | 2160p23.98, 24, 25, 29.97, 30, 50, 59.94, 60 |
| sdi-compliance | SMPTE 292M, SMPTE 424 Level B, SMPTE 2081-1, SMPTE 2082-1 |
| sdi-audio-sampling | 48 kHz and 24 bit |
| media | 1 x Blackmagic Media Module. |
| media-format | Blackmagic |
| supported-codecs | Blackmagic RAW Constant Bitrate 3:1, 5:1, 8:1, 12:1, 18:1; Blackmagic RAW Constant Quality Q0, Q1, Q3, Q5; H.264 Proxy in 1920 x 1080, 8-bit 4:2:0 |
| external-control | URSA Cine EVF can trigger record plus camera functions assigned to the VF1, VF2, VF3, Zoom, Exp and Record buttons. External Camera Control via REST API over Ethernet, WiFi or serial via 7-pin Lemo. Run/Stop via 3-pin Fischer and 7-pin Lemo. Blackmagic iPad and Bluetooth control supported. Blackmagic Zoom Demand and Blackmagic Focus Demand supported. |
| direct-streaming | Supports SRT and RTMP local live streaming using Ethernet or WiFi, or global live streaming via Ethernet, WiFi or USB‑C cellular data. |
| network-management | NTP time sync; FTP download; Web Media Manager for access/browse/download/delete; SMB file sharing. |
| storage-type | 1 x Blackmagic Media Module 8TB |
| storage-rates-17k | BRAW 3:1 – 1,700 MB/s; BRAW 8:1 – 638 MB/s; BRAW 12:1 – 425 MB/s; BRAW 18:1 – 284 MB/s; BRAW Q0 – 567 to 2,040 MB/s; BRAW Q1 – 464 to 1,134 MB/s; BRAW Q3 – 255 to 638 MB/s; BRAW Q5 – 170 to 510 MB/s |
| storage-rates-12k | BRAW 3:1 – 1,194 MB/s; BRAW 8:1 – 448 MB/s; BRAW 12:1 – 299 MB/s; BRAW 18:1 – 199 MB/s; BRAW Q0 – 398 to 1,433 MB/s; BRAW Q1 – 326 to 796 MB/s; BRAW Q3 – 179 to 448 MB/s; BRAW Q5 – 120 to 358 MB/s |
| storage-rates-8k | BRAW 3:1 – 533 MB/s; BRAW 5:1 – 320 MB/s; BRAW 8:1 – 200 MB/s; BRAW 12:1 – 133 MB/s; BRAW Q0 – 320 to 639 MB/s; BRAW Q1 – 228 to 533 MB/s; BRAW Q3 – 133 to 400 MB/s; BRAW Q5 – 100 to 266 MB/s |
| storage-rates-4k | BRAW 3:1 – 135 MB/s; BRAW 4:1 – 101 MB/s; BRAW 5:1 – 81 MB/s; BRAW 6:1 – 68 MB/s; BRAW Q0 – 202 to 336 MB/s; BRAW Q1 – 135 to 311 MB/s; BRAW Q3 – 101 to 238 MB/s; BRAW Q5 – 81 to 202 MB/s |
| recording-formats-17k | BRAW 3:1, 8:1, 12:1, 18:1, Q0, Q1, Q3, Q5 at full sensor width/height: [17,520 x 8,040], [16,128 x 8,040], [15,360 x 8,040], [14,304 x 8,040], [17,520 x 7,296] with film/extended/video dynamic range or custom 3D LUT in metadata plus simultaneous H.264 1920×1080 proxies. |
| recording-formats-12k | BRAW 3:1, 8:1, 12:1, 18:1, Q0, Q1, Q3, Q5 at full sensor width/height: [12,288 x 8,040], [12,288 x 6,912], [12,288 x 6,480], [12,288 x 5,112], [9,648 x 8,040] with film/extended/video dynamic range or custom 3D LUT in metadata plus simultaneous H.264 1920×1080 proxies. |
| recording-formats-8k | BRAW 3:1, 5:1, 8:1, 12:1, Q0, Q1, Q3, Q5 at full sensor width/height scaled to: [11,680 x 5,360], [10,752 x 5,360], [8,192 x 5,360], [8,192 x 4,608], [8,192 x 4,320], [8,192 x 3,408] and [6,432 x 5,360] with film/extended/video dynamic range or custom 3D LUT in metadata plus simultaneous H.264 1920×1080 proxies. |
| recording-formats-4k | BRAW 3:1, 4:1, 5:1, 6:1, Q0, Q1, Q3, Q5 at full sensor width/height scaled to: [5,840 x 2,680], [5,376 x 2,680], [4,096 x 2,680], [4,096 x 2,304], [4,096 x 2,160], [4,096 x 1,704] and [3,216 x 2,680] with film/extended/video dynamic range or custom 3D LUT in metadata plus simultaneous H.264 1920×1080 proxies. |
| constant-quality-rates-17k-12k | Q0 9:1 – 2.5:1, Q1 11:1 – 4.5:1, Q3 20:1 – 8:1, Q5 30:1 – 10:1 |
| constant-quality-rates-8k | Q0 5:1 ‑ 2.5:1, Q1 7:1 ‑ 3:1, Q3 12:1 ‑ 4:1, Q5 16:1 ‑ 6:1 |
| constant-quality-rates-4k | Q0 2:1 ‑ 1.2:1, Q1 3:1 ‑ 1.3:1, Q3 4:1 ‑ 1.7:1, Q5 5:1 ‑ 2:1 |
| software-included | URSA Cine Blackmagic OS; DaVinci Resolve Studio (activation key); Blackmagic Camera Setup; Blackmagic RAW Player; Blackmagic RAW QuickLook Plugin; Blackmagic RAW SDK |
| operating-systems | Mac 14.0 Sonoma, Mac 15.0 Sequoia or later; Windows 10 and 11. |
| power-supply | +24V DC external power supply 100 – 240 AC 50/60Hz compatible with IEC C14 socket. Molex connector for rear battery plate. |
| power-input | 1 x 8 pin Lemo compatible socket for external power or battery use. B-Mount battery plate. |
| power-outputs | 1 x 7-pin connector with +24V DC power output; 1 x 3-pin Fischer with +24V DC power output; B-Mount battery plate including 2-pin connector with +12V regulated output from camera. |
| optional-accessories | URSA Cine EVF; PYXIS Monitor; PYXIS Monitor Kit; PYXIS Monitor EVF Kit; URSA Cine Mount PL/EF/HC; URSA Cine Mount Shims; URSA Cine Battery Plates (B/Gold/VLock); URSA Cine Baseplates 15/19; URSA Cine Handle; URSA Cine Grips; URSA Cine 5" LCD Sunshade; Blackmagic Media Dock; Blackmagic Media Module 8TB; ATEM Streaming Bridge |
| environmental-operating-temperature | 0° to 40°C (32° to 104°F) |
| environmental-storage-temperature | -20° to 45°C (-4° to 113° F) |
| environmental-relative-humidity | 0% to 90% non‑condensing |
| whats-included | Blackmagic URSA Cine 17K 65 camera with PL lens mount; Blackmagic Media Module 8TB; Blackmagic URSA Cine Handle and bolts; Blackmagic URSA Cine Top Rod Mount; Blackmagic URSA Cine Baseplate 19; Blackmagic URSA Cine Battery Plate B Mount; Blackmagic URSA Cine Rubber Caps for connectors; Blackmagic URSA Cine WiFi Antennas; Blackmagic URSA Cine Mount LPL and mount screws; Blackmagic URSA Cine 24V 250W power supply; Blackmagic PL Body Cap; Blackmagic LPL Body Cap; Plastic folding screen hood for 5” LCD; DaVinci Resolve Studio with activation key; Welcome wallet with QR code for software download; Pelican 1510 Case with custom foam |
